QSFer Dusk Peterson has a new alternate history book out:
Is service a privilege or a chain?
Two young men face this question. Both live in the Dozen Landsteads, where life centers on the nation’s Bay. One young man lives at the beginning of the twentieth century, the other in the sixteenth century. Both youths possess masters. But do the masters have their best interests at heart?
“Servant or Slave” presents twin tales of love, faithfulness, and responsibility. It can be read on its own or as a side story in Waterman, a speculative fiction series set in an alternative version of the Chesapeake Bay region.
Waterman is part of Turn-of-the-Century Toughs, a cycle of alternate history series (Dark Light, Waterman, Life Prison, Commando, Michael’s House, and The Eternal Dungeon) about disreputable men on the margins of society, and the men and women who care for them. Set between the 1880s and the 1910s, the novels and stories take place in an alternative version of America that was settled by inhabitants of the Old World in ancient times. One of the series in the cycle, Waterman, combines elements of the 1910s with retrofuturistic imagery from the 1960s.
He saw his master’s boat long before it arrived, skimming over the afternoon-bright waters of the Bay. The closer the lithe vessel approached, the deeper the sun dipped in the sky, and the more the grey clouds huddled together like cloaked guests awaiting the start of a dinner party. Meredith began to worry that his master would arrive so late in the day that he and Meredith would be trapped there overnight, with a storm approaching. Then Meredith recalled that a house awaited them, with four walls and a roof to shut out the wind and the water – a haven on an island that he had always considered a haven, since the time he left it as a child.
The Bay, which sliced like a knife between the two shores of the Dozen Landsteads, was already growing choppy from the upcoming storm by the time that the skipjack anchored, a few yards from shore. By that time, Meredith was hiding in a grove of loblolly pines, so he did not see the yawl carry his master from the skipjack to the island. However, he did hear the uncultured voice of a servant say, “You sure you don’t want us to come back, sir? Looks like a rough place to stay the night, and there’s a blow coming in on the tide.”
Meredith did not hear his master’s reply, but it must have been reassuring, for when he peeked out again, he saw that the little yawl was being hauled aboard the skipjack, while his master stood on the shell-strewn beach, his back to Meredith, his hand waving farewell to the crew who had brought him to the island.
The anchor came up, the rising wind bellowed the sails full, and the crew began the painful job of turning the skipjack and tacking their way back to the Western Shore from whence they had come. They would be eager to return home, Meredith knew, for tonight was the final day of the festival week of Spring Manhood, when servants would feast in honor of their masters.
Meredith had never attended such a feast, either as a master or as a servant. He never would, he knew. He would be embarrassed to be toasted by servants who believed him to be a master, and as for receiving the joy of toasting his own master . . . It was enough that he finally had a master, after so many years spent masquerading as one.
Or so he told himself.
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Honored in the Rainbow Awards, Dusk Peterson writes historical speculative fiction: alternate history, historical fantasy, and retrofuture science fiction, including lgbtq novels and other types of diverse fiction. Suspense plays an important role in many of the tales; the conflict in those tales is both external and internal. Peterson’s stories are often placed in dark settings, such as prisons or wartime locations. The mood of the stories, however, is not one of unrelieved gloominess; romance, friendship, family affection, and faithful service are recurring themes.
Peterson is the author of Turn-of-the-Century Toughs, a cycle of alternate history series (Dark Light, Waterman, Life Prison, Commando, Michael’s House, and The Eternal Dungeon) about disreputable men on the margins of society, and the men and women who care for them. Set between the 1880s and the 1910s, the novels and stories take place in an alternative version of America that was settled by inhabitants of the Old World in ancient times. One of the series in the cycle, Waterman, combines elements of the 1910s with retrofuturistic imagery from the 1960s. Dusk Peterson has also written The Three Lands, a fantasy series inspired by conflicts between nations during the Roman Empire and the Dark Ages.